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સિતાર: આવૃત્તિઓ વચ્ચેનો તફાવત

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Visualવિકિલખાણ
લીટી ૬૨:
{{Listen
| filename = Sitar_sample_yaman.ogg
| title = Sampleસિતાર musicવાદનનો in Sitarધ્વનિ
| description = A 1 min 43 second sample of Sitar sound, playing [[Yaman (raga)|Yaman Raga]]
| format = [[Ogg]]
લીટી ૯૧:
 
 
(છેલ્લ ત્રણ તીવ્ર અષ્ટક ના સૂર હોય છે). Theદરેક playerરાગમાટે shouldવાદ્યને reરી-tuneટ્યૂન forકરવો eachપડે [[raga]]છે. Strings areસિતારના tunedવદન byતારોને [[tuningગટ્ટાઓ peg]]s,ને andહટાવીને theઅને main playingતેના stringsકંપન canતારોને beબાઉએ fine-tuned by sliding a bead threaded onઆવેલા eachમણકાઓ stringદ્વરા justટ્યુન belowકરી theશકાય bridgeછે.
[[File:Sitar jawari.jpg|thumb| A black [[ebony]] wood ''Jawari'']]
In one or more of the more common tunings (used by Ravi Shankar, among others, called "Kharaj Pancham" sitar) the playable strings are strung in this fashion:
* ''Chikari'' strings: Sa (high), Sa (middle), and Pa.
* ''Kharaj'' (bass) strings: Sa (low) and Pa (low).
* ''Jod'' and ''baaj'' strings, Sa and Ma.
 
In a "Gandhar Pancham" (Imdadkhani, school of [[Vilayat Khan]]) sitar, the bass or ''kharaj'' strings are removed and are replaced by a fourth ''chikari'' which is tuned to Ga. By playing the ''chikari'' strings with this tuning, one produces a chord (Sa, Sa, Pa, Ga or Sa Sa Ma Ga or Sa, Sa, Dha, Gha depending on the raga).
 
To tune the sympathetic strings to raga ''Kafi'' for example: I Sa, vii ni (lower case denotes [[Flat (music)|flat]] (''[[swara|komal]]'') I Sa, II Re, iii ga, III Ga (''Shuddh'' or [[natural sign|natural]], in Kafi the third is different ascending and descending), iv ma, V Pa, VI Dha, vii ni, I Sa, II Re, iii ga.
 
There is a lot of stylistic variance within these tunings and like most Indian stringed instruments, there is no default tuning. Mostly, tunings vary by schools of teaching ([[gharana]]) and the piece that is meant to be played.
 
==Playing==
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